Adaq Khan · Recording Engineer

Classic Sound

Natural balance through trusted classic recording techniques in ultra high resolution.

Considered approach

Measured and meticulous, unobtrusively capturing the best performances.

Refined treatment

Consistently accomplished results from precise, reliable post-production.

Adaq Khan

I trained with Grammy Award winning classical engineer Tony Faulkner, a continuing influence and mentor.

My work includes recordings of massed choirs at the Royal Albert Hall, solo recitals at the Royal Festival Hall, orchestral premieres at the Barbican and chamber music in Oxford and the Czech Republic.

With credits on over 100 CD releases, concert recordings and video soundtracks, accolades include Gramphone Editor's Choice and iTunes Classical No.1 albums.

Features

Contemporary composers, first recordings, world-class musicians and iconic venues:

· Recording for video

· Mixing

Three days of live concert recordings. Over 50 ensembles, ranging from a four-piece rock band to a 1,000-strong massed choir.

· Recording engineer

· Editing

· Mastering

· Producing

First recording of an 8.5 hour solo piano composition. Recorded over 7 sessions then edited, mixed and mastered for forthcoming release.

· Recording engineer

Live concert recording. UK premiere of Galgenhumouresque by Martyn Harry.

· Recording engineer

· Editing

· Mastering

Five sessions of location recording with an eight-piece a cappella choir. Editing, mixing and mastering for release.

· Recording engineer

· Editing

· Mastering

First recording of James Erber’s solo flute music, The ‘Traces’ Cycle, produced by Richard Barrett. Editing, mixing and mastering for release.

· Recording engineer

· Mixing

· Mastering

Songs for mezzo-soprano and string quartet, recorded and at Livingston Studios and mixed at Strongroom Studios. Nominated for an ARIA Music Award.

· Recording engineer

· Editing

· Mastering

Location recording of works for choir and organ, including a new arrangement of Faure’s Requiem. Features the Chelsea Pensioners.

· Recording engineer

Live concert recording of Cuban music, featuring Ann Liebeck (soprano), Marcos Madrigal (piano), Omar Puente (violin) and Julian Rowlands (bandoneon).

· Recording engineer

Series of live concert recordings for the ‘Purcell from the Ground Up’ festival, devised by Hugo Ticciati. Ensembles comprised strings, voice and piano.

· Recording engineer

· Editing

· Mastering

14 newly-commissioned pieces for chamber choir. Recorded over three days then edited, mixed and mastered for release.

  • "Wonderful performances; luminous and warm recorded sound."

    BBC Music Magazine ★★★★

  • "Recorded in exceptionally clear and vivid sound... all of the parts of this production should be equally commended."

    Scott Noriega, Fanfare Magazine

  • "Excellent performances and recording all round"

    Gramophone Magazine

  • "Pristine-sounding and detail-oriented in aural presentation"

    AllMusic

  • "Toccata's sound is loyal and clear..."

    KlassiskMusikk